Ghost

ornamentedbeing:

I’ll end here with one of my favorite Worth gowns.

circa 1898–1900

A superb example of dressmaking from the House of Worth, this dress exhibits the aesthetic of the last years of the nineteenth century. The fashionable reverse S-curve silhouette of the dress and the dramatic scroll pattern of the textile reflect the influence of the Art Nouveau movement. The striking graphic juxtaposition of the black velvet on an ivory satin ground creates the illusion of ironwork, with curving tendrils emphasizing the fashionable shape of the garment. In order to achieve this effect, the textile was woven à la disposition, with the intent that each piece would become a specific part of the dress. With this technique, the design of the fabric is intrinsic to the design of the dress.”

defunctfashion:

Worth | c. 1902
This is a very beautiful example of a Belle Époque dress emphasizing the aesthetic for pastel colors and light materials. The cutout work of the chiné applied to the lace is an outstanding feature which adds liveliness to the flowers, as if they were growing. Chiné is expensive to make as the pattern is printed on the warp before the weft is woven in, thus producing the blurred effect, reminiscent of a Claude Monet painting. (Met Museum)

defunctfashion:

Worth | c. 1902

This is a very beautiful example of a Belle Époque dress emphasizing the aesthetic for pastel colors and light materials. The cutout work of the chiné applied to the lace is an outstanding feature which adds liveliness to the flowers, as if they were growing. Chiné is expensive to make as the pattern is printed on the warp before the weft is woven in, thus producing the blurred effect, reminiscent of a Claude Monet painting. (Met Museum)


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